Donald Hutera writes regularly about dance and performance for The Times, Time Out, Dance Europe, Dance Now, Animated and many other publcations.
Josephine Leask is the London correspondent with The Dance Insider and academic lecturer at the London Studio Centre.
Sanjoy Roy writes for the Guardian, Dance Now, Dancing Times and other publications, and is dance editor of Contemporary magazine.
Keith Watson is the dance critic for Metro.
Lyndsey Winship is the dance editor of Time Out.
Graham Watts writes regularly about dance for Pointe magazine, Sadler's Wells, Ballet.co, Londondance.com, SkyArts, Dance Europe and other publications. He is a members of the Critics' Circle and holds the MA Module in Dance Writing and Criticism from the University of Chichester.
Jobina Bardai is a contemporary dance artist, trained in ballet, as well as flamenco, jazz and tango. Originally from Vancouver, she has studied and performed in London, New York, Sydney, Montreal and Ottawa. She is also a published dance, travel and food writer.
Fiona Campbell is currently completing her Masters in Culture, Policy and Management at City University with a view to working in arts and cultural magazine journalism. In 2008 she graduated with a BA(hons) in Dance, subsequently spending a period of time teaching dance in Peru.
Zoë Cobb graduated from Central School of Speech and Drama and has been working as a movement director, facilitator, performer and writer. She is currently in Nic Green's Trilogy at the Barbican, movement directing Tom Rosenthal's music videos and researching and developing material for The Venetian's Wife, which opens this autumn.
Since gaining a BA Hons degree in Dance with English Studies (First class) at Chichester University, Katie Fish completed the MSc Dance Science programme at Laban, where she graduated with merit. She regularly reviews dance performance for Londondance.com.
Samantha Gauntlett trained as a dancer until her mid-teens, when she decided to pursue a more academic-focused career. With a degree in film and cultural studies, plus several years of work experience in community arts, events and marketing, she has written a range of arts reviews for the Bournemouth Daily Echo.
Jennifer Teale trained at the Delfos School of Contemporary Dance (Mexico). She is currently completing a BA Hons in Dance Performance at Middlesex University with a view to working in company education and arts journalism. With over six years' experience as teacher and choreographer, Jennifer currently teaches at a number of dance schools in London.