Alan Bishop (Chair) has a career spanning business, government and the arts. Working with high profile global clients he became Chairman of Saatchi & Saatchi, based in both London and New York. He was then appointed Chief Executive of the COI (Central Office of Information) the department responsible for the government’s major marketing and communication campaigns, the Government News Network and DirectGov (Now Gov.UK). Subsequently he pursued his passion for the arts as Chief Executive of Southbank Centre with the mission to open it up to all the people across all art forms. Most recently he has been able to apply all this experience as Chief Executive of the Creative Industries Federation, representing a creative economy now worth over £100 billion. He is now delighted to focus on the exciting future for The Place.
Jane Alexander (Vice Chair) has over 20 years’ experience as a corporate finance lawyer with Norton Rose and 3i Group plc. She joined The Royal College of Art, the world’s leading postgraduate art and design university, in 2011 as Pro-Rector (Operations) and was responsible for strategic planning, finance and estates, governance and risk management. At the RCA she was Chair of the Equality & Diversity Committee and a member of the Advisory Board of InnovationRCA, the student business incubator. Jane is currently an Independent Member of Council of The Royal Veterinary College and a member of its Finance & General Purposes Committee. She was a trustee of The National Association of Youth Theatres, the sector development agency for youth theatre in England. She has a law degree from Brasenose College Oxford and more recently obtained an MA Culture, Policy & Management from City University, London.
Dr. Tzo Zen Ang
Dr. Tzo Zen Ang is Chief Operating Officer at the Royal Academy of Arts, which she joined in 2014 to implement a transformational change journey in the lead up to its 250th anniversary and major capital redevelopment of its campus. She is responsible for strategy, finance, estates and facilities, technology, and people issues. Prior to the RA, Ang worked at the Royal Opera House and the management consultancy McKinsey and Company, where she advised clients across a wide range of industries on organisation and strategy matters. She holds a PhD from the University of Cambridge.
Michael ‘Mikey J’ Asante was born in East London and is a renowned producer, composer, singer, dancer and DJ, whose 20-year career history is firmly etched in the UK urban music industry. He is Co-Founder and Co-Artistic Director of Boy Blue, founded in 2001 with Kenrick ‘H2O’ Sandy. After landing a publishing deal, Asante retired as a dancer to focus on creating longer pieces of music - taking hip-hop - and Boy Blues sonics - into a composer space. As a music producer, Mikey boasts a diverse catalogue within his discography; creating music for films Street Dance 3D and All Stars, enjoying session work and production for major label artists including Delilah, Raleigh Ritchie, Estelle, George The Poet and Kano. In 2019 Mikey’s work included composing the music for Tree, a Kwame Kwei-Armah and Idris Elba creation and a collaboration with Brian Eno for the soundtrack on Netflix’s Top Boy. Outside of the studio, Asante mentors and delivers master classes in directing, choreography and music and is a Professor of Electronic Music at Guildhall School of Music from where he was awarded an Honorary Fellowship (HonFGS) in 2018.
Janet Eager MBE joined the board of governors in 1997 following 33 years working for the Contemporary Dance Trust / The Place. She was the Administrator of the original contemporary dance classes set up by the Robin Howard Trust in 1964/65, and of the Contemporary Dance Trust studios and performing group 1966-68 at Berners Place. She became a founder member of The Place in 1969 and was Executive Director of London Contemporary Dance Theatre until 1994, and then Executive Director of Richard Alston Dance Company from 1994-97. In 1991 she formed the Robin Howard Foundation to support young dancers and choreographers. In 1986 she was awarded the MBE for services to dance. Since retirement she has trainied as a complementary health practitioner working as a volunteer with cancer patients. She has sat on the boards of numerous dance companies and organisations, including CandoCo, Academy of Indian Dancing, International Course for Choreographers and Composers, Lisa Ullman Travelling Foundation and currently a Trustee of Dancers’ Career Development.
Derek Hicks held a number of senior roles at HEFCE, the predecessor of the Office for Students (OfS). He is a Governor of the University of West London and an Honorary Fellow of Birkbeck, University of London. He joined the Board of The Place in July 2017 and is chair of the Academic Board. He is also the Nominated Governor for the Conservatoire for Dance and Drama.
Chris Rowland has recently retired after more than 35 years with PricewaterhouseCoopers LLP. He has lived and worked in London and New York, working with a wide range of companies across a number of industries from start-ups to HM Treasury and brings extensive experience advising companies on corporate transactions, control frameworks, risk management, governance and regulatory issues. Despite an absence of any personal ability or talent, he has been an enthusiastic consumer and supporter of the arts, particularly music, theatre and dance, for very many years.
Eva Sarma has over 15 years’ experience in corporate finance and private equity with PwC, Merrill Lynch and 3i. In 2019, she joined Level 20, a not-for-profit organisation with the aim of improving gender diversity in the private equity industry, as Chief Operating Officer and Company Secretary responsible for finance, operations, legal, risk and compliance. Eva brings nearly a decade of experience as a Non-Executive Director, most recently serving on the Board of Mayborn, owner of the global baby brand tommee tippee®. She holds a Masters in Engineering from the University of Cambridge.
John G Stewart is Director of Legal Services at the University of London, a degree-awarding federation of 18 leading higher education institutions. He is responsible for all legal services at the University. He was previously general counsel at the Wellcome Trust, the world’s largest biomedical research charity. He was a member of the board of governors, and chair of the Audit Committee, of The Place from July 2005 to December 2014. He re-joined The Place in July 2017 as a governor and chair of the Audit Committee.
Catherine Ward works in strategic HR leadership, transformation and communications, having held roles in the public, private and private equity sectors, and as a consultant. She joined the British Council in September 2018 to lead its people strategy as Global People Director. The British Council works in over 100 countries across the world in the fields of arts and culture, English language, education and civil society. Catherine’s previous roles include Group HR Director for Interserve, one of the world’s foremost support services companies, Group People and Communications Director at BMI Healthcare, the UK’s largest private hospital group, and with the BBC and Sotheby’s. She has worked as a consultant with KPMG, with SHL Group, and run her own consultancy business. Catherine holds a BSc in biology, MSc in organisational behaviour, and postgraduate qualifications both in HR and executive coaching. She has a passion for all forms of dance and has danced most of her life, from ballet, to jazz, and on to Latin.
Rosalind Wynn has been working with Gecko since 2013 as a freelance producer on Missing, Institute and The Time of Your Life. She joined the company full time as executive producer in March 2016. Rosalind has always worked in contemporary performance, with a particular interest in devised and non-text based performance as well as international touring and partnerships. She previously worked for immersive events company A Taste of Space, National Portfolio Organisations Coney and Fuel, and the Belluard Festival in Switzerland, originally as recipient of an Arts Council Artist International Development Grant. Past projects with emerging artists include the house recommission tour of Enda Walsh’s Disco Pigs directed by Cathal Cleary, Unborn in America by Luke Styles and Peter Cant with Ensemble Amorpha and OperaUpClose and Claudia Dey’s Trout Stanley directed by Matthew Steinberg.
PHOTO: Top row (from left to right): Alan Bishop, Jane Alexander, Dr. Tzo Zen Ang, Michael (Mikey J) Asante, Derek Hicks
Bottom row (from left to right): Chris Rowland, Eva Sarma, John G Stewart, Catherine Ward, Rosalind Wynn